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Jesus before Pilate, 1625-77. Creator: Wenceslaus Hollar

Jesus before Pilate, 1625-77. Creator: Wenceslaus Hollar


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Jesus before Pilate, 1625-77. Creator: Wenceslaus Hollar

Jesus before Pilate, 1625-77

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Media ID 20576327

© Heritage Art/Heritage Images

Candle Candles Captive Captivity Cardinal Condemnation Condemned Court Case Cross Crosses Ecclesiastical Friar Hans Hans Holbein Hans Holbein The Younger Holbein Holbein Hans Holbein Hans The Younger Holbein The Younger Holbein The Younger Hans Hollar Hollar Wenceslaus Judge Monks Monstrance Papal Pilate Pilate Pontius Pontius Pontius Pilate Prisoner Sentence Sentenced The Younger Tied Up Trial Vaclav Hollar Wenceslas Hollar Wenceslaus Wenceslaus And Xa0 Wenceslaus Hollar Wenceslaus hollar Wenzel Hollar Winceslaus Hollar


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> Arts > Artists > H > Hans Holbein the Younger

> Arts > Artists > H > Wenceslas Hollar

> Arts > Artists > H > Wenceslaus Hollar

> Arts > Artists > M > Hans Maler

> Europe > Italy > Lazio > Rome


EDITORS COMMENTS
The captivating etching, "Jesus before Pilate" created by Wenceslaus Hollar in the 17th century, transports us back to a pivotal moment in history. The print depicts Jesus Christ standing before Pontius Pilate, the Roman governor of Judea. Bathed in the soft glow of candlelight, this powerful image captures the tension and gravity of the scene. As we gaze upon this artwork, we are drawn into the courtroom where Jesus stands as a captive on trial. The composition is meticulously detailed, showcasing Hollar's skillful etching technique. We see figures surrounding Jesus - monks and cardinals observing silently while Pilate presides over his fate. The concept of condemnation looms heavily in this piece; it is evident through the crosses symbolizing Christ's impending crucifixion. His hands tied up and expression serene yet resolute, Jesus embodies strength amidst adversity. Hollar masterfully conveys not only religious symbolism but also historical accuracy with his depiction of Roman architecture and attire. This print serves as a window into both Christian heritage and art history alike. Today, housed within prestigious museums like The Met, this work continues to inspire contemplation on faith and justice. It reminds us that even in moments of great tribulation, there is an unwavering power that transcends time – one that has captivated artists for centuries.

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