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Kaiserin Eugenie 1826-1920. - Gemalde von Winterhalter, 1934

Kaiserin Eugenie 1826-1920. - Gemalde von Winterhalter, 1934


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Kaiserin Eugenie 1826-1920. - Gemalde von Winterhalter, 1934

Kaiserin Eugenie 1826-1920, 1934. Eugenie de Montijo (1826-1920), was the last Empress consort of the French, from 1853 to 1871, as the wife of Napoleon III, Emperor of the French. From Die Groszen der Weltgelchichte. [Ecktein-Halpaus, Dresden, 1934]

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Media ID 14993219

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Countess Countess Of Teba Eckstein Halpaus Gmbh Empress Empress Eugenie Empress Eugenie De Montijo Empress Of France Eug Nie Eugenie Eugenie De Francis Xavier Francis Xavier Winterhalter Franz Xaver Franz Xaver Winterhalter Franz Xavier Winterhalter Montijo Winterhalter


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EDITORS COMMENTS
This print showcases a remarkable portrait of Kaiserin Eugenie, painted by Franz Xaver Winterhalter in 1934. Kaiserin Eugenie, also known as Eugenie de Montijo (1826-1920), was the last Empress consort of the French during the years 1853 to 1871. She held this esteemed position as the wife of Napoleon III, Emperor of France. The painting beautifully captures her regal presence and elegance. Dressed in exquisite royal attire, she sits gracefully with a hat adorning her head. Her gaze is directed away from the viewer, adding an air of mystery to her persona. Eugenie de Montijo hailed from Spain and brought a touch of Spanish influence to French society during her reign. This fusion can be seen in both her clothing and demeanor depicted in this artwork. The painting reflects not only the artistic prowess of Winterhalter but also serves as a window into history. It transports us back to Germany in the 1930s when this print was created for Die Groszen der Weltgelchichte publication by Eckstein-Halpaus Dresden. As we delve into this piece, we are reminded of Empress Eugenie's significant role within nineteenth-century European royalty and how she left an indelible mark on French history. The print collector29 has preserved this stunning portrayal for generations to come, allowing us to appreciate both its aesthetic beauty and historical significance without any commercial intent or use.

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