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Masquerading, [August 30, 1811], reprinted. [August 30, 1811], reprinted
![Masquerading, [August 30, 1811], reprinted. [August 30, 1811], reprinted](/p/731/masquerading-august-30-1811-reprinted-19987818.jpg.webp "Masquerading, [August 30, 1811], reprinted. [August 30, 1811], reprinted")
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Masquerading, [August 30, 1811], reprinted. [August 30, 1811], reprinted
Masquerading, [August 30, 1811], reprinted
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Media ID 19987818
© Heritage Art/Heritage Images
Ball Commedia Dellarte Cuckolding Funny Horns Mandolin Mask Masked Masks Masquerade Masquerade Ball Pulcinella Rowlandson Rowlandson Thomas Stringed Instrument Theatre Italien Thomas Rowlandson Hand Coloured Hand Tinted Musical Instruments
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Masquerading, [August 30,1811], reprinted - A Vibrant Snapshot of British Masquerade Ball in the 19th Century
EDITORS COMMENTS
. This print by Thomas Rowlandson takes us back to a lively masquerade ball held in Britain on August 30,1811. The image captures the essence of this extravagant event with its colorful costumes and playful atmosphere. Men and women alike don masks, transforming themselves into characters from commedia dell'arte and other theatrical traditions. In this scene, a group of revelers can be seen dancing to the enchanting melodies played on stringed instruments like mandolins. The hand-colored etching brings out every detail - from the intricate patterns on their garments to the mischievous expressions hidden behind their masks. The concept of masquerade balls often involved more than just entertainment; it was an opportunity for people to escape societal norms and indulge in fantasy. Here we witness both men and women embracing this freedom as they let loose on the dance floor. Rowlandson's keen eye for humor is evident as well. One man stands out among the crowd with comically exaggerated horns atop his head, hinting at a popular theme of cuckolding during that era. As we gaze upon this remarkable piece from The Metropolitan Museum of Art collection, we are transported back in time to experience firsthand the energy and excitement that filled these grand social gatherings. It serves as a testament to our enduring fascination with masked identities and how they
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