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Medieval ceiling and wall painting, (1898). Creator: Unknown
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Medieval ceiling and wall painting, (1898). Creator: Unknown
Medieval ceiling and wall painting, (1898). Fig 1: From a pedigree in the hospital-church at Stuttgart, 15th century. Fig 2: Portion of Fig 22: Painted flat ornament, the ground being deepened. Figs 3 and 4: From the church at Brauweiler, 14th century. Fig 5: From a chapel at Ramersdorf, 14th century. Figs 6 and 7: From a side-room in the collegiate church at Fritzlar, 15th century. Fig 8: From the Jacobine-church at Agen, 13th century. Figs 9 and 10: From the Ste. Chapelle at Paris, 13th century. Figs 11-19: From the upper church San Francesco at Assisi. Figs 20 and 21: From the lower church San Francesco at Assisi. Fig 22: (See above), lower wied of the wood-baldachin above the former abbot-seat in the convent-church at Blaubeuren. Plate 44 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19778106
© The Print Collector/Heritage Images
B T Batsford Batsford Bishop Bt Batsford Ceiling Chapel Chromolithograph Dolmetsch E Hochdanz Foliage H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Sainte Chapelle Saints Stylised Symmetrical Symmetry Wall Painting Basilica Of Saint Francis Of Assisi Church Of St Francis Of Assisi Flowered Fourteenth Century Interior Decoration Interior Design Thirteenth Century
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EDITORS COMMENTS
This print showcases a collection of medieval ceiling and wall paintings, offering a glimpse into the rich artistic heritage of Europe. Created in 1898 by an unknown artist, this image features various intricate designs and patterns found in churches and chapels across Germany and Italy. The print begins with Fig 1, which depicts a pedigree from the hospital-church at Stuttgart dating back to the 15th century. Moving on to Fig 2, we see a portion of Fig 22 that exhibits painted flat ornamentation with deepened ground. Figs 3 and 4 highlight stunning artwork from the church at Brauweiler during the 14th century. Continuing our journey through time, Figs 6 and 7 transport us to a side-room in the collegiate church at Fritzlar during the fifteenth century. Meanwhile, Fig 8 takes us back even further to the Jacobine-church at Agen in the thirteenth century. The print also includes breathtaking examples from renowned locations such as Ste. Chapelle in Paris (Figs 9-10) and San Francesco Basilica in Assisi (Figs11-21). These masterpieces showcase symmetrical floral designs, stylized figures of saints, bishops' portraits, and decorative architectural features. With its vibrant colors and meticulous attention to detail, this lithograph captures not only religious art but also represents an important chapter in European history. It serves as both an educational tool for art enthusiasts or historians studying medieval aesthetics while also being visually appealing for anyone who appreciates beauty rooted deeply within cultural heritage.
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