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The ordeal of cold water, (c1920). Artist: Richard Caton Woodville II

The ordeal of cold water, (c1920). Artist: Richard Caton Woodville II


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The ordeal of cold water, (c1920). Artist: Richard Caton Woodville II

The ordeal of cold water, (c1920). Illustration from Story of the British Nation, Volume I, Walter Hutchinson, (London, c1920s)

Heritage Images features heritage image collections

Media ID 14933486

© The Print Collector / Heritage-Images

Caton Woodville Cold Hutchinson Ordeal R Caton Woodville Richard Caton Ii Richard Caton Woodville Ii Throwing Trial Walter Walter Hutchinson Woodville


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> Arts > Art Movements > Medieval Art

> Arts > Artists > W > Caton Woodville

> Arts > Artists > W > Richard Caton Woodville

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings


The Ordeal of Cold Water - A Glimpse into Medieval Trials

EDITORS COMMENTS
. This print, titled "The Ordeal of Cold Water" takes us back in time to the medieval era. Created by Richard Caton Woodville II and featured in Walter Hutchinson's book, Story of the British Nation, this illustration offers a fascinating insight into an ancient practice. Intriguingly, the image depicts a female figure standing on the banks of a river while men observe her from afar. The woman is about to undergo a trial by cold water – an ordeal believed to determine innocence or guilt. With great anticipation, she prepares herself for what lies ahead. Woodville's attention to detail transports us to this historical moment. The monochrome palette adds depth and intensity to the scene, emphasizing both the seriousness and harshness of such trials during that period. As we gaze upon this artwork, we are reminded of how different justice systems were centuries ago. This image serves as a reminder that our understanding of right and wrong has evolved over time. "The Ordeal of Cold Water" invites us to reflect on our own legal practices today while appreciating the rich history behind them. It stands as a testament not only to Richard Caton Woodville II's artistic talent but also as an important record documenting past societal norms and beliefs.

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