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Paris leaning on tree stump, back view. from "Oeuvre de Canova: Recueil de Statues

Paris leaning on tree stump, back view. from 'Oeuvre de Canova: Recueil de Statues


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Paris leaning on tree stump, back view. from "Oeuvre de Canova: Recueil de Statues

Paris leaning on tree stump, back view. from " Oeuvre de Canova: Recueil de Statues...", 1817

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Media ID 20635943

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Angelo Antonio Antonio Canova Apple Apples Beauharnais Beauharnais Josephine Beauharnais Josephine De Bottom Buttocks Canova Canova Antonio Empress Empress Josephine Engraving And Etching Giovanni Jos And Xe9 Jose Josephine Josephine Beauharnais Josephine Bonaparte Joséphine De Beauharnais Josephine Empress Josephine Tascher De La Pagerie Liberty Cap Marie Rose Tascher De La Pagerie Pagerie Josephine Tascher De La Phrygian Cap Rear View Rose Tascher De La Pagerie Tascher De La Pagerie Tascher De La Pagerie Josephine Tascher De La Pagerie Marie Rose Tascher De La Pagerie Rose Testa Head Dress Headgear Nakedness Nudity


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Josephine de Beauharnais

> Arts > Artists > C > Antonio Canova

> Arts > Artists > H > Guy Head

> Europe > Italy > Sculptures

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print titled "Paris leaning on tree stump, back view" takes us back to the 19th century. The image is a part of the collection "Oeuvre de Canova: Recueil de Statues" by Giovanni Tognolli, showcasing the artistic genius of Antonio Canova. In this particular piece, we see Paris, portrayed as a male figure, leaning against a rustic tree stump. The composition focuses on his back view, emphasizing his well-defined body and muscular buttocks. Paris wears an intriguing head dress or headdress that adds an air of mystery to his character. The engraving and etching technique used in this artwork beautifully captures every intricate detail with precision. The contrast between light and shadow enhances the overall aesthetic appeal. Notably, Josephine de Beauharnais, Empress Joséphine herself, served as inspiration for this sculpture. Her connection to Napoleon Bonaparte further adds historical significance to this piece. The inclusion of apples symbolizes fertility and abundance while also referencing the story of Paris awarding Aphrodite with the golden apple in Greek mythology. Displayed in monochrome tones, this photograph exudes timeless elegance and showcases both Italian artistry and French history. It serves as a testament to Canova's mastery in sculpting human forms that evoke emotion and admiration even centuries later.

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