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Removing the Stone from the Entrance to the Cave (From the Series The Spring Cave), 1825
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Removing the Stone from the Entrance to the Cave (From the Series The Spring Cave), 1825
Removing the Stone from the Entrance to the Cave (From the Series The Spring Cave), 1825. These elegant surimono prints come from a set of five images inspired by the legend of the Shinto Supreme Sun Goddess, Amaterasu. She was once so offended by her brother that she retreated to a cave, leaving the earth in darkness. Several attempts to lure her out with cocks crowing, music-making, and a goddess dancing failed, but a mirror hung from a nearby tree made Amaterasu curious, bringing her to the entrance of the cave. A stone was quickly placed at the entrance to block her way back into the cave, and light was restored to the world. Each print is set against a blue evening sky with embossed clouds enriched with gold, silver, and copper
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Media ID 19637686
© Heritage Art/Heritage Images
1615 1868 Totoya Hokkei 1780 1850 Colour Woodblock Print
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Removing the Stone from the Entrance to the Cave (From the Series The Spring Cave), 1825
EDITORS COMMENTS
. This print transports us back to ancient Japan, immersing us in a tale of mythical proportions. Inspired by the legend of Amaterasu, the Shinto Supreme Sun Goddess, this series of elegant surimono prints captures a pivotal moment in her story. Amaterasu's retreat into a cave plunged the world into darkness, but desperate attempts to lure her out proved futile. However, it was an ingenious mirror hanging from a nearby tree that piqued her curiosity and coaxed her towards the entrance. In this particular image, we witness brave souls removing a stone swiftly placed at the cave's mouth to prevent Amaterasu from retreating once again. The artist masterfully portrays this climactic scene against a serene blue evening sky adorned with embossed clouds gilded with gold, silver, and copper accents. Each detail is meticulously crafted to enhance our visual experience and transport us into this otherworldly realm. As we gaze upon this remarkable piece of Japanese heritage art created during Japan's Edo period (1615-1868), we are reminded of both its cultural significance and artistic excellence. This print is attributed to Totoya Hokkei, showcasing his talent for capturing emotion through intricate woodblock printing techniques. Displayed at The Cleveland Museum of Art as part of their esteemed collection, these prints serve as windows into Japan's rich mythology and artistic legacy. They invite us
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