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Section C: female martyrs and saints holding banners, from The Triumph of Christ, 1836

Section C: female martyrs and saints holding banners, from The Triumph of Christ, 1836


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Section C: female martyrs and saints holding banners, from The Triumph of Christ, 1836

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Media ID 20549405

© Heritage Art/Heritage Images

Andrea Andrea Andreani Andrea Andreasso Andrea Andriano Andreani Andreani Andrea Andreasso Andreasso Andrea Andriano Andriano Andrea Banners Bare Feet Da Cadore Martyr Martyrdom Martyrs Procession Processional Saints Titian Tiziano Tiziano Vecelli Tiziano Vecellio Vecellio Vecellio Tiziano Barefoot Lithotint Standard


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> Arts > Artists > T > Titian

> Arts > Artists > Titian > Renaissance art

> Arts > Artists > Titian

> Historic > Renaissance art > Famous works of Titian > Italian Renaissance

> Historic > Renaissance art > Famous works of Titian > Renaissance art

> Historic > Renaissance art > Famous works of Titian

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art > Religious themes in renaissance art

> Italian renaissance art

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This black and white lithographic print, titled "Section C: female martyrs and saints holding banners, from The Triumph of Christ" transports us back to the Renaissance period. Created in 1836 by Andrea Andreani, a renowned Italian artist known for his mastery of lithography, this piece beautifully captures the essence of Christian martyrdom. In this scene, we witness a solemn procession of female martyrs and saints proudly holding banners high above their heads. Their bare feet symbolize their devotion and sacrifice for their faith. Each woman is depicted in full length with incredible attention to detail, showcasing Andreani's skillful rendering. The lithographic copy of a woodcut technique used here adds depth and texture to the image while maintaining its striking simplicity. This printing method was popular during the 19th century as it allowed for mass production while preserving the intricate details found in traditional woodcuts. Displayed at The Metropolitan Museum of Art, this artwork pays homage to Titian's original masterpiece from the 16th century. It serves as a testament to both religious devotion and artistic excellence that defined the Renaissance era. As we gaze upon these women carrying flags bearing symbols of faith and martyrdom, we are reminded of their unwavering commitment to Christianity. This powerful image invites contemplation on themes such as sacrifice, devotion, and strength in one's beliefs – timeless concepts that continue to resonate with viewers today.

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