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Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, 1797. Creator: James Stow
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Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, 1797. Creator: James Stow
Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, Who is Pointing Him Out as the Proper Subject for Her Pencil, 1797
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Media ID 25335180
© Heritage Art/Heritage Images
Allegorical Allegorical Figures Dramatic Dramatist Elizabethan Etching And Engraving Georgian Jacobean James Stow Muse Playwright Shakespeare Shakespeare William Shakspeare Tudor William Shakespeare Allegorical Figure
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In this photo print, we are transported back to the 18th century, where the great playwright William Shakespeare is depicted in a thought-provoking scene. Entitled "Shakespeare Seated Between the Dramatic Muse and the Genius of Painting" this allegorical masterpiece was created by James Stow in 1797. The image showcases Shakespeare seated majestically between two allegorical figures. On his left, the Dramatic Muse stands tall, her gaze fixed upon him as if acknowledging his profound impact on the world of drama. To his right, the Genius of Painting points at him with her pencil, recognizing him as an ideal subject for artistic inspiration. This artwork beautifully captures not only Shakespeare's literary genius but also pays homage to his enduring legacy. As one of Britain's most celebrated authors, he continues to inspire generations with his timeless plays and sonnets. James Stow skillfully employs etching and engraving techniques to bring this historical moment to life. The intricate details highlight each figure's expression and posture while adding depth to their surroundings. Displayed at The Metropolitan Museum of Art (The Met), this print serves as a testament to Shakespeare's influence on literature and art throughout centuries. It invites viewers into a realm where imagination meets reality—a tribute to a man who forever changed the landscape of English literature through his unparalleled talent and creativity.
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