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Two Ships, 19th century (1904). Artist: James Abbott McNeill Whistler
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Two Ships, 19th century (1904). Artist: James Abbott McNeill Whistler
Two Ships, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
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Media ID 14945127
© The Print Collector / Heritage-Images
Ja Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneill James Mcneill Whistler Mast Menpes Mortimer L Mortimer L Menpes Mortimer Menpes Rigging Tonalism Whistler Work Of Art Artistic Movement Print Collector8 Two Ships
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EDITORS COMMENTS
This print, titled "Two Ships, 19th century (1904)", showcases the artistic brilliance of James Abbott McNeill Whistler. Created in the early 20th century as a second state etching, this work is taken from Whistler As I Knew Him, a publication by Mortimer Menpes. The image transports us back to the 19th century, immersing us in an era defined by exploration and adventure. The two ships depicted gracefully glide through calm waters against a picturesque backdrop of rolling hills and serene skies. Whistler's masterful use of tonalism creates a sense of tranquility and harmony within the scene. Every detail has been meticulously captured - from the intricate rigging that adorns each vessel to the majestic masts reaching towards the heavens. These elements remind us of the importance of water transport during this period, symbolizing both progress and connection between distant lands. As we gaze upon this remarkable work of art, we are reminded not only of its aesthetic beauty but also its historical significance. It serves as a testament to Whistler's talent as an artist who effortlessly captured fleeting moments with his brushstrokes or etching tools. This print is truly a treasure for any art enthusiast or history lover alike. Its monochrome palette adds depth and dimension while emphasizing its timeless appeal. Whether displayed in homes or galleries around the world, it continues to inspire awe and admiration for both Whistler's genius and our shared human
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