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St. Albans Abbey, 1859. Artist: Henry Adlard

St. Albans Abbey, 1859. Artist: Henry Adlard


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St. Albans Abbey, 1859. Artist: Henry Adlard

St. Albans Abbey, 1859. A Church of England cathedral in St Albans, England with much of its architecture dating from Norman times, it was known as St Albans Abbey before it became a cathedral in 1877. After Thomas Allom (1804-1872). From The History of England Div X. by David Hume & Tobias Smollett. [Virtue & Co. London, 1859]

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Media ID 14978178

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Abbey Adlard Allom David David Hume Hay Bale Haycart Henry Henry Adlard Hertfordshire History Of England Hume Norman Smollett St Albans St Albans Cathedral T Allom Teamwork Thomas Allom Tobias George Tobias George Smollett Tobias Smollett Virtue And Company Virtue Co Ltd St Albans Abbey


FEATURES IN THESE COLLECTIONS

> Architecture > Cathedrals

> Architecture > Country > England

> Architecture > Religious

> Architecture > Styles > Norman Architecture

> Arts > Artists > A > Thomas Allom

> Arts > Artists > H > Thomas Henry

> Arts > Artists > W > George White

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Still life artwork > Landscape paintings

> Arts > Still life artwork > Still life art > Landscape artwork


EDITORS COMMENTS
This print takes us back to the year 1859, showcasing the magnificent St. Albans Abbey in all its glory. Created by artist Henry Adlard, this masterpiece captures the essence of a Church of England cathedral nestled in the picturesque town of St Albans, England. With its architecture dating back to Norman times, this abbey-turned-cathedral has stood as a symbol of religious devotion for centuries. The image portrays a scene from rural life in Hertfordshire during the 19th century, where men can be seen working together with great teamwork and dedication amidst vast fields of agriculture. The monochrome composition adds an air of nostalgia and historic significance to this print. It is reminiscent of a time when literature played an essential role in shaping society's understanding and appreciation for art, religion, and history itself. As we gaze upon this remarkable piece, we are transported to an era where hay carts were commonplace on farmlands surrounding St Albans Abbey. This print not only showcases the architectural beauty but also serves as a testament to the rich cultural heritage that defines England. Thanks to artists like Henry Adlard and engraver Thomas Allom whose collaboration brought forth such stunning visuals capturing moments from our pasts; we have been granted access into these historical narratives that continue to shape our present-day understanding.

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