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St Jerome, late 16th-early 17th century. Artist: Louis Finson

St Jerome, late 16th-early 17th century. Artist: Louis Finson


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St Jerome, late 16th-early 17th century. Artist: Louis Finson

St Jerome, late 16th-early 17th century. Jerome, in the act of self-flagellation, gazes up in ecstasy into a shaft of light. Behind him is a crucifix with an image of Christ, and a skull as a memento mori. Born Eusebius Hieronymus Sophronius, t Jerome (c342-420) was a leading father of the Christian church. He prepared the first Latin translation of the Bible from Hebrew (Vulgate). From a private collection

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Media ID 14868458

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4th Century 5th Century Jerome Louis Saint Hieronymus Saint Jerome St Hieronymus St Jerome Tonsure Nakedness Self Flagellation


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EDITORS COMMENTS
This print captures the intense and spiritual moment of St Jerome, painted by Louis Finson in the late 16th to early 17th century. St Jerome, also known as Eusebius Hieronymus Sophronius, was a prominent figure in the Christian church and is depicted here engaging in an act of self-flagellation. In this artwork, St Jerome's eyes are fixed upon a heavenly shaft of light that illuminates his face with ecstasy. Behind him stands a crucifix adorned with an image of Christ, symbolizing his devotion to Christianity. A skull rests nearby as a memento mori, reminding viewers of life's transience. Finson skillfully portrays St Jerome's nakedness and vulnerability through meticulous brushstrokes and vibrant colors. The artist pays attention to every detail - from the saint's hairstyle known as tonsure to his facial expression filled with religious fervor. Originating from Flanders during the 16th or 17th century, this oil portrait showcases Finson's mastery in capturing religious subjects with emotional depth. It now resides within a private collection but has been immortalized through this stunning photo print. As we gaze upon this artwork, we are reminded not only of St Jerome's significant contributions to Latin translations of the Bible but also of our own mortality and the power of faith. This piece serves as both a testament to religious devotion and an exquisite example of artistic craftsmanship from centuries past.

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