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The State Parasol, 1844. Creator: Unknown
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The State Parasol, 1844. Creator: Unknown
The State Parasol, 1844. One of the trophies taken by the French army from the Moors, consisting of the Tent of the eldest son of the Emperor [Muhammad IV of Morocco], and the Parasol of the Emperor [Abd al-Rahman] himself. It was displayed in Paris. The Parasol (el d Alala), which was planted in front of the tent, was seized by the French soldiers from the midst of the black troops...It is round in shape, and is supported by a large handle of pine wood...The top of it is amaranth coloured silk, with embroideries in silver gilt, which are admirable both for their elegance and correctness of design; they are arabesques of flowers, remarkable for their lightness and boldness; the inside is green silk, with flowers of gold. The ribs...are of gilded wood; the parasol is surmounted by a ball of gilt silver... From " Illustrated London News", 1844, Vol I
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Media ID 20369863
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Abd Al Rahman Booty Embroidered Franco Moroccan War Loot Moroccan Morocco Parasol Parasols Accessories Accessory Al Rahman Black And Embroidery Hisham Illustrated London News
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The State Parasol, 1844 - A Captivating Trophy of Franco-Moroccan War
EDITORS COMMENTS
. This print showcases "The State Parasol" a remarkable trophy seized by the French army from the Moors during the Franco-Moroccan War in 1844. Created by an unknown artist, this image offers a glimpse into the grandeur and opulence of Moroccan culture. The parasol itself is a true marvel, with its round shape and exquisite craftsmanship. Supported by a large handle made of pine wood, it features an amaranth-colored silk top adorned with elegant silver gilt embroideries. The arabesques of flowers displayed on the parasol are both light and bold in design, showcasing their impeccable elegance. Inside, green silk fabric embellished with golden flowers adds to its allure. The ribs are crafted from gilded wood while a ball of gilt silver crowns this magnificent piece. This parasol was once planted in front of the tent belonging to Abd al-Rahman, Emperor Muhammad IV's eldest son. Displayed proudly in Paris after being taken as booty from amidst the black troops, this extraordinary artifact symbolizes not only victory but also cultural exchange between nations during times of conflict. Preserved through time within this engraving from "Illustrated London News" - Volume I (19th century), it serves as a testament to history's intricate tapestry woven through conquests and acquisitions. As we gaze upon this print today, we are reminded that even objects can tell stories - stories that transcend borders and speak volumes about our shared human heritage.
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