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Thomas Britton, The Musical Small Coal-man, 1821. Creator: R Page

Thomas Britton, The Musical Small Coal-man, 1821. Creator: R Page


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Thomas Britton, The Musical Small Coal-man, 1821. Creator: R Page

Thomas Britton, The Musical Small Coal-man, 1821. Portrait of Thomas Britton (1644-1714), English charcoal merchant and concert promoter. From " Wonderful Characters: Comprising Memoirs and Anecdotes of the Most Remarkable Persons of Every Age and Nation", Vol. I, by Henry Wilson. [J. Robins and Co. Albion Press, London, 1821]

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Media ID 19065403

© The Print Collector/Heritage Images

Britton Henry Henry Wilson J Robins And Co James Robins James Robins And Co Page R Page Robins Robins And Co Vocalist Wilson Wonderful Characters Thomas Britton


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> Arts > Literature > Books

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> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

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> Europe > United Kingdom > England > London > Art > Music > Related Images

> Europe > United Kingdom > England > Music


EDITORS COMMENTS
This print showcases the intriguing figure of Thomas Britton, known as "The Musical Small Coal-man". Created in 1821 by R Page, this portrait captures the essence of a man who defied societal expectations and left an indelible mark on the music scene of his time. Thomas Britton was not just an ordinary charcoal merchant; he was also a concert promoter with a deep passion for music. Born in 1644 and passing away in 1714, he lived during a period that witnessed immense cultural transformations. This engraving is featured in Henry Wilson's book titled "Wonderful Characters: Comprising Memoirs and Anecdotes of the Most Remarkable Persons of Every Age and Nation" published by J. Robins and Co. Albion Press in London. In this full-length portrait, we see Britton standing confidently, exuding an air of determination amidst his humble occupation. The monochrome image adds to the timeless quality of this depiction, emphasizing both his historical significance and artistic contribution. As one looks at this image, it becomes evident that Thomas Britton's true calling lay beyond selling coal; he was a vocalist himself—a singer who enchanted audiences with his melodic voice. His dedication to promoting concerts allowed him to bring together talented musicians from various backgrounds, creating harmonious experiences for all who attended. Through R Page's skillful portrayal captured within these lines etched onto paper centuries ago, we are transported back to witness the life and legacy of Thomas

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