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A Thought-Form of Anger, c1916, (1917)
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A Thought-Form of Anger, c1916, (1917)
A Thought-Form of Anger, c1916, (1917). Directed Against a Person Who Had Inflicted A Deep Injury On The One Who Sent It Forth. Oliver Joseph Lodge (1851-1940), British physicist and writer involved in the development of radio. Lodge is remembered for his studies in psychical research and Spiritualism. Lodge began to study psychical phenomena of telepathy in the late 1880s. A thought form is a structured interdimensional energy form intentionally created to carry out a specific task for which it has been programmed. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]
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Media ID 14980693
© The Print Collector
Abstract Anger Annual Bibby Bibbys Annual Black Background Communication Energy Fury Harmful Injured Injury J Bibby Sons Joseph Bibby Lodge Rage Revenge Spiritualism Thought Karma Reprisal Telepathy
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A Thought-Form of Anger, c1916
EDITORS COMMENTS
is a captivating print that captures the essence of intense emotion and spiritual exploration. The image, directed against a person who had inflicted deep injury on its creator, emanates with vibrant red hues against a striking black background. This thought form, intentionally created by Oliver Joseph Lodge in 1917, showcases his profound involvement in psychical research and Spiritualism. Lodge's pioneering studies in telepathy during the late 19th century laid the foundation for this interdimensional energy form. The structured shape and powerful color palette convey both the destructive force of anger and the abstract concept of karma seeking revenge. It serves as a visual representation of fury and harm caused by an injured soul seeking reprisal. The photograph's composition exudes an otherworldly aura, emphasizing its connection to spirituality and metaphysical realms. Lodge's expertise as a British physicist adds another layer to this intriguing artwork, bridging science and mysticism. Displayed within Bibbys Annual 1917 publication from J. Bibby & Sons in Liverpool, this print exemplifies how art can transcend time through literature. Its presence evokes curiosity about early 20th-century beliefs surrounding energy manipulation and psychic phenomena. This image invites viewers to contemplate the power of emotions such as anger while exploring deeper philosophical questions about spirituality and human nature.
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