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Underley Hall, Westmorland, home of the Earl of Bective, c1880
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Underley Hall, Westmorland, home of the Earl of Bective, c1880
Underley Hall, Westmorland, home of the Earl of Bective, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Reverend FO Morris, Volume IV, William Mackenzie, London, c1880. Wood-engraved plates after paintings by Benjamin Fawcett and Alexander Francis Lydon
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Media ID 14945651
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Af Lydon Alexander Francis Lydon Alexander Lydon Benjamin Benjamin Fawcett County Cumbria Cumbrian Earl Fawcett Lydon Parkland Westmorland Aristocracy Aristocrat Country House Print Collector8
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Underley Hall, Westmorland - A Glimpse into the Aristocratic Splendor of 19th Century Britain
EDITORS COMMENTS
. This print transports us back to the grandeur and opulence of Underley Hall in Westmorland, England. Home to the distinguished Earl of Bective during the late 19th century, this stately residence exudes an air of elegance and refinement. The image captures the magnificent architecture of Underley Hall, showcasing its impressive facade with intricate details that speak volumes about its aristocratic heritage. Surrounded by lush parkland and towering trees, this country house stands as a testament to both human craftsmanship and nature's beauty. The vibrant colors in this wood-engraved print bring life to every aspect of the scene - from the meticulously designed gardens to the sprawling estate grounds. It is evident that no expense was spared in creating a harmonious blend between man-made structures and their natural surroundings. As we gaze upon this remarkable piece of history, we are reminded not only of the wealth and privilege enjoyed by those who dwelled within these walls but also of their deep appreciation for artistry and aesthetics. The collaboration between Benjamin Fawcett and Alexander Francis Lydon has resulted in a visual masterpiece that allows us to glimpse into a world long gone. This print serves as a window into an era when country houses like Underley Hall were symbols not only of social status but also repositories for cherished traditions passed down through generations. It invites us to marvel at architectural
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