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Variety Act 1: Maxi the Ichthyosaurus Turned Man (Varietenummer 1: Maxi der Mensch Gewor D... 1907. Creator: Moritz Jung)

Variety Act 1: Maxi the Ichthyosaurus Turned Man (Varietenummer 1: Maxi der Mensch Gewor D... 1907. Creator: Moritz Jung)


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Variety Act 1: Maxi the Ichthyosaurus Turned Man (Varietenummer 1: Maxi der Mensch Gewor D... 1907. Creator: Moritz Jung)

Variety Act 1: Maxi the Ichthyosaurus Turned Man (Varietenummer 1: Maxi der Mensch Gewor Dene Ichthyosaurus), 1907

Heritage Images features heritage image collections

Media ID 20370507

© Heritage Art/Heritage Images

Burger Burger Nikolaus Dinosaur Jung Jung Moritz Jung Moriz Molzlagl Molzlagl Simon Monster Moritz Moritz Jung Moriz Moriz Jung Nikolaus Nikolaus Burger Sausage Sausages Simon Simon Molzlagl Spiral Colour Lithograph Graphic Design Ichthyosaur Lithotint


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> Animals > Extinct > Dinosaurs

> Europe > Austria > Related Images

> Europe > Germany > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Variety Act 1 - Maxi the Ichthyosaurus Turned Man - A Captivating Fusion of Fantasy and Reality

EDITORS COMMENTS
. This lithograph, created in 1907 by Moritz Jung, transports us back to the early 20th century Austrian variety acts that delighted audiences with their unique performances. The print showcases an extraordinary concept brought to life on stage - Maxi the Ichthyosaurus turned man. In this vibrant artwork, we witness a mesmerizing transformation as Maxi, once an ancient marine reptile known as an ichthyosaur, now stands before us as a human figure. The color lithograph beautifully captures every intricate detail of this unusual metamorphosis. The German graphic designer Nikolaus Burger collaborates with Simon Molzlagl to create a visually striking composition. With its spiral design and vivid colors, it draws our attention towards the central figure of Maxi. This fusion between dinosaur and human is both intriguing and thought-provoking. Displayed at The Metropolitan Museum of Art, this piece represents not only Austria's rich heritage but also the boundless imagination of artists during that era. It serves as a reminder that art has no boundaries when it comes to exploring new concepts and pushing creative limits. Moritz Jung's lithotint technique adds depth and texture to this remarkable print while capturing the essence of early 20th-century printing methods. As we gaze upon this masterpiece, we are transported into a world where reality intertwines with fantasy – where sausages become

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AFRICA: YAO CHIEF, 1889. Chief Mpama of the Yao, Nyasaland (present-day Malawi). Line engraving, 1889
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