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Woodlark, 1821, (1942). Creator: George Graves

Woodlark, 1821, (1942). Creator: George Graves


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Woodlark, 1821, (1942). Creator: George Graves

Woodlark, 1821, (1942). Songbird, from " British ornithology" by George Graves. Published in " The Birds of Britain, by James Fisher. [Collins, London, 1942]

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Media ID 19777564

© The Print Collector/Heritage Images

Britain In Pictures Collins Feather Feathers Fisher Graves James Fisher James Maxwell Mcconnell James Maxwell Mcconnell Fisher Natural History Ornithology Plumage Social History Songbird Wildlife William Collins William Collins And Sons William Collins Sons Zoology Wood Lark Woodlark


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Larks > Related Images

> Animals > Birds > Passerines > Larks > Woodlark

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > C > William Collins

> Arts > Artists > F > William Fisher

> Arts > Artists > J > William James

> Arts > Artists > W > James Wood


EDITORS COMMENTS
This print titled "Woodlark, 1821" takes us back to the enchanting world of British ornithology in the early 19th century. Created by George Graves and published in "The Birds of Britain" by James Fisher in 1942, this image showcases the exquisite beauty of a songbird found in England's countryside. The woodlark depicted here is a true marvel of nature, with its vibrant plumage and intricate feathers displayed against a backdrop that exudes tranquility. The rich colors and fine details captured by Graves transport us into the heart of this bird's natural habitat, allowing us to appreciate its elegance up close. As we delve into the history behind this print, we uncover not only the fascinating study of zoology and ornithology but also gain insight into social history during the mid-20th century. Published by William Collins & Sons as part of their renowned series "Britain in Pictures" this artwork represents an era when scientific exploration intertwined with artistic expression. Through this photograph, George Graves immortalizes both his subject - the woodlark - and his own contribution to British natural history. It serves as a reminder that even amidst rapid technological advancements, our connection to wildlife remains essential for understanding our past and preserving our future.

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