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igiyauchi tsukasa, The courtesan Tsukasa of igiya. Kitagawa, Utamaro, 1753?-1806

igiyauchi tsukasa, The courtesan Tsukasa of igiya. Kitagawa, Utamaro, 1753?-1806


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igiyauchi tsukasa, The courtesan Tsukasa of igiya. Kitagawa, Utamaro, 1753?-1806

AIgiyauchi tsukasa, The courtesan Tsukasa of AIgiya. Kitagawa, Utamaro, 1753?-1806, artist, [between 1804 and 1806], 1 print : woodcut, color; 39.2 x 26.2 cm. Print shows Tsukasa, a courtesan at AIgiya, with a female attendant bringing her tea

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12669431

© Quint Lox Limited

1753 1806 1804 1806 Attendant Bringing Courtesan Female Kitagawa Ogiya Shows Utamaro


EDITORS COMMENTS
In this woodcut print by Kitagawa Utamaro, we are transported to the world of Edo-period Japan. The image depicts Igiyauchi Tsukasa, a renowned courtesan from the esteemed AIgiya brothel. With meticulous attention to detail and vibrant colors, Utamaro brings Tsukasa's beauty and grace to life. Tsukasa sits elegantly on a cushioned platform, her exquisite kimono adorned with intricate patterns that reflect her status as a high-ranking courtesan. A sense of tranquility fills the scene as a female attendant delicately offers Tsukasa a cup of tea. The gesture symbolizes both respect and care for the esteemed courtesan. Utamaro's masterful use of color adds depth and richness to the composition. Soft hues blend harmoniously with bold accents, creating an atmosphere that is both serene and alluring. The artist's skill in capturing delicate expressions is evident in Tsukasa's face – her eyes convey wisdom beyond her years while maintaining an air of mystery. This print not only showcases Utamaro's artistic prowess but also provides us with a glimpse into the fascinating world of geishas and courtesans during 18th-century Japan. It serves as a reminder of their significant role in Japanese culture – not just as entertainers but also as purveyors of knowledge, refinement, and companionship. Quint Lox has curated yet another remarkable piece from Liszt Collection that invites us to

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