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Carl Wilhelm Kolbe (German, 1759 - 1835), Satyr and Nymph in a Swamp, 1790s, etching

Carl Wilhelm Kolbe (German, 1759 - 1835), Satyr and Nymph in a Swamp, 1790s, etching


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Liszt Collection

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Carl Wilhelm Kolbe (German, 1759 - 1835), Satyr and Nymph in a Swamp, 1790s, etching

Carl Wilhelm Kolbe (German, 1759 - 1835), Satyr and Nymph in a Swamp, 1790s, etching on laid paper

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12912973

© Quint Lox Limited

1759 1790s 1835 Carl Kolbe Laid Nymph Satyr Swamp Wilhelm


EDITORS COMMENTS
In this etching by Carl Wilhelm Kolbe, we are transported to a mystical world where mythological creatures roam. Titled "Satyr and Nymph in a Swamp" the print captures a moment of enchantment and intrigue. The scene unfolds in a lush swamp, with dense vegetation surrounding the central figures. A satyr, known for its half-human, half-animal form, stands tall and proud amidst the murky waters. His muscular body is adorned with wild hair and goat-like features, exuding an air of untamed energy. Beside him stands a nymph, delicate yet alluring in her ethereal beauty. Her flowing gown seems to merge seamlessly with the watery landscape as she gazes into the distance with an enigmatic expression. The contrast between their rugged masculinity and her graceful femininity creates a harmonious balance within the composition. Kolbe's masterful use of etching techniques brings depth and texture to every element of this artwork. The intricate details on each leaf and ripple in the water demonstrate his meticulous craftsmanship. This particular print from Quint Lox's Liszt Collection showcases Kolbe's ability to transport viewers into fantastical realms through his artistry. It serves as both an homage to classical mythology and an invitation for us to explore our own imagination. As we gaze upon this mesmerizing piece, we can't help but be drawn into its mysterious narrative - one that invites us to ponder the boundaries between reality and fantasy while appreciating Kolbe's skillful execution of

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