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Chapter 73 My hands cannot touch you cassia moon Nanajnsandan

Chapter 73 My hands cannot touch you cassia moon Nanajnsandan


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Chapter 73 My hands cannot touch you cassia moon Nanajnsandan

Chapter 73: My hands cannot touch you like the cassia in the moon Nanajusandan - Te ni wa towarenu tsuki no uchi no katsura no gotoki (title on object) Stories of Ise (series title on object) Ise monogatari (series title on object), A circular disc with a hare with a mortar, attached to a wooden staff with strips of paper (gohei). In the foreground a bronze bell with rope and a court hat (eboshi). The title is from Chapter 37 of the Stories of Ise and are the thoughts of a man walking past a womans house. He can t send her a message, so he thinks: I can see you with my eyes, but my hands can t touch you - you re really like the cassia in the moon. With two poems, pestle and mortar, rodents: hers, Kubota Shunman (mentioned on object), Japan, 1812, paper, colour woodcut, h 211 mm × w 170 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19542949

© Artokoloro

1812 Attached Colour Woodcut Foreground Hare Kubota Shunman Message Moon Mortar Rodents Rope Series Title Stories Strips Title Two Poems Cassia Eboshi Mentioned Pestle Thinks Thoughts


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EDITORS COMMENTS
This print captures the essence of longing and unattainable love. Titled "Chapter 73: My hands cannot touch you like the cassia in the moon Nanajusandan" it is inspired by a passage from Chapter 37 of the Stories of Ise, where a man walks past a woman's house, unable to send her a message. The image features a circular disc with a hare and mortar attached to a wooden staff adorned with strips of paper (gohei). In the foreground, there is an intriguing bronze bell with rope and an elegant court hat (eboshi). The title itself reflects the man's thoughts as he gazes at his beloved - he can see her with his eyes but cannot physically touch her. He compares her unattainability to that of cassia flowers in the moonlight. Accompanying this evocative artwork are two poignant poems, symbolizing both desire and separation. The artist behind this masterpiece is Kubota Shunman, whose name is mentioned on the object. Created in Japan in 1812 using color woodcut techniques, this piece showcases exquisite craftsmanship. Overall, this print invites viewers into a world filled with yearning and poetic beauty. It serves as a reminder that sometimes love exists beyond our reach, leaving us captivated by its elusive nature just like the cassia flowers illuminated by moonlight.

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