Courtesans Takikawa Hanaogi Ogiya house Mirror
Wall Art and Photo Gifts from Liszt Collection
Courtesans Takikawa Hanaogi Ogiya house Mirror
Courtesans Takikawa and Hanaogi from the Ogiya house Mirror of manuscripts of the new beautiful courtesans from the Yoshiwara (series title) Yoshiwara keisei shin bijin jihitsu kagami, Two courtesans, each followed by a shinzo (courtesan in training) and two kamuro (latest help from a courtesan). The pattern of fans, pine and plum blossom branches on the shinzos kimono refers to New Year. Above each of the courtesans a classical poem, reportedly in their own handwriting, courtesan, hetaera, Kitao Masanobu, Tokyo, 1783, paper, colour woodcut, h 369 mm × w 502 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19543888
© Artokoloro
1783 Colour Woodcut Courtesan Courtesans Fans Hanaogi Hetaera Manuscripts New Year Pattern Pine Reportedly Series Title Shinzo Tokyo Training Yoshiwara Kitao Masanobu
EDITORS COMMENTS
This print from the Liszt Collection transports us back to the vibrant world of Yoshiwara, a famous pleasure district in Tokyo during the 18th century. Titled "Courtesans Takikawa Hanaogi Ogiya House Mirror" this exquisite artwork by Kitao Masanobu beautifully captures the essence of this era. Intricately detailed, the print showcases two courtesans, Takikawa and Hanaogi, elegantly adorned in traditional kimonos. Each is accompanied by a shinzo, a courtesan-in-training, and two kamuro, young assistants learning their craft. The kimono worn by one of the shinzo features an enchanting pattern of fans, pine branches, and plum blossoms symbolizing new beginnings associated with New Year celebrations. Above each courtesan is a classical poem believed to be written in their own handwriting—a testament to their refined artistic abilities beyond their allure. This adds another layer of intrigue to these enigmatic women who were both admired and criticized for their beauty and intelligence. The delicate colors and meticulous woodcut technique used in this piece further enhance its allure. It serves as not only a visual feast but also offers insight into the cultural significance of Yoshiwara's courtesans during that time period. As we gaze upon this mesmerizing artwork today, it allows us to appreciate the artistry involved in creating such prints while offering glimpses into Japan's rich history and complex social dynamics surrounding these fascinating women known as hetaera or courtesans.
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