Fragment Womans overskirt ncaka late 1800s-early 1900s

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Fragment Womans overskirt ncaka late 1800s-early 1900s

Fragment of Womans overskirt (ncaka), late 1800s-early 1900s. Africa, Democratic Republic of the Congo, late 19th or early 20th century. Raffia palm fiber; overall: 121.4 x 33.3 cm (47 13/16 x 13 1/8 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18463237

© Liszt Collection

Africa Congo Democratic Republic Early 20th Century Fragment Late 1800s Early 1900s Late 19th

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> Africa > Democratic Republic of the Congo > Related Images

> Africa > Republic of the Congo > Related Images

EDITORS COMMENTS
This print showcases a remarkable fragment of a woman's overskirt, known as "ncaka" originating from the late 1800s to early 1900s in the Democratic Republic of the Congo, Africa. Crafted with utmost skill and precision, this textile artifact reflects the rich cultural heritage and artistic traditions of its time. Made entirely from raffia palm fiber, this overskirt exhibits an exquisite combination of intricate patterns and vibrant colors. The meticulous craftsmanship is evident in every detail, highlighting the expertise and creativity of Congolese artisans who carefully wove each thread together. Measuring at an impressive overall size of 121.4 x 33.3 cm (47 13/16 x 13 1/8 in. ), this fragment offers a glimpse into the fashion trends prevalent during that era. It serves as a testament to the importance placed on clothing as both a practical necessity and a form of self-expression within Congolese society. Preserved through time, this ncaka overskirt carries with it stories untold - tales of women who wore it proudly, their aspirations and dreams woven into its very fabric. As we admire this piece today, we are reminded not only of its aesthetic beauty but also its historical significance. The Liszt Collection has captured this extraordinary artifact through photography so that it may be appreciated by art enthusiasts worldwide. This image allows us to delve into the past and appreciate the ingenuity behind such masterpieces while honoring their cultural origins without any

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