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ÒÇÄÚ│ÑÕÉêÒÇÅÒÇǵíâÞè▒Òü½þø«þÖ¢ Japanese White-eyes
Wall Art and Photo Gifts from Liszt Collection
ÒÇÄÚ│ÑÕÉêÒÇÅÒÇǵíâÞè▒Òü½þø«þÖ¢ Japanese White-eyes
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14021327
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1615–1868 1757–1820 1805–10 Album Array Begins Birds Branch Card Commonly Kyōka Connected Edo Period Felicitous First Day Month Form Greeting Harusame Surimono Jō Imagery Include Inscribed Kubo Shunman Lunar Calendar Mounted New Year Poems Poetry Groups Poets Prints Usually Privately Woodblock Spring Surimono Syllable Verse Usually Commissioned Witty Thirty Peach Tree
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This print titled "ÒÇÄÚ│ÑÕÉêÒÇÅÒÇǵíâÞè▒Òü½þø«þÖ¢ Japanese White-eyes" transports us to the enchanting world of Edo period Japan. The image captures a serene moment amidst a blossoming peach tree, where a series of delicate branches serve as perches for an array of vibrant birds known as tori awase. Part of the renowned spring rain surimono album, this privately published polychrome woodblock print is a true masterpiece by Kubo Shunman, a celebrated Japanese artist from the 18th century. Surimono prints like these were usually commissioned by poets and poetry groups to form New Year greeting cards adorned with poems, commonly kyōka – witty thirty-syllable verses. The intricate details and felicitous imagery connected to the arrival of spring are beautifully inscribed within this artwork. As the lunar calendar begins on the first day of each month, these prints hold great significance in marking new beginnings and celebrating nature's awakening. Measuring at 8 3/16 x 5 3/8 inches (20.8 x 13.7 cm), this mounted print showcases the skillful combination of ink and color on high-quality paper. It serves as both an artistic treasure and a window into Japan's rich cultural heritage during its historical golden age. The Liszt Collection proudly
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