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Sommaire de la Planche Soixante-Deuxieme Cuisine artistique

Sommaire de la Planche Soixante-Deuxieme Cuisine artistique


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Liszt Collection

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Sommaire de la Planche Soixante-Deuxieme Cuisine artistique

Sommaire de la Planche Soixante-Deuxieme, Cuisine artistique: etudes de l ecole moderne: ouvrage en deux parties, renfermant cent et une plances gravees, hors texte, Dubois, Urbain, 1818-1901, Engraving, 1872, Plate 62, comprised of 4 drawings, identified as follows: Dessin 294. Poisson Imite en Biscuit. Dessin 295. Livre Imite en Biscuit. Dessin 296. Jambon Imite en Biscuit. Dessin 297. Hure de Sanglier Imitee en Biscuit

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18507702

© Liszt Collection

1872 Comprised Deux Identified Moderne Parties Planche Plate 62 Biscuit Dubois Urbain


EDITORS COMMENTS
This print showcases the "Sommaire de la Planche Soixante-Deuxieme Cuisine artistique" from 1872. Created by Urbain Dubois, a renowned engraver of his time, this exquisite piece is part of a two-part series that includes a total of 101 engraved plates. Plate 62 specifically features four stunning drawings: Dessin 294 depicts a fish imitated in biscuit form, while Dessin 295 showcases a book cleverly imitated with the same technique. Moving on to Dessin 296, we are presented with an intricately crafted imitation of ham in biscuit form. Lastly, Dessin 297 portrays an impressive replica of wild boar head called "Hure de Sanglier" also made from biscuit. Dubois' attention to detail and artistic skill shine through each drawing, as he masterfully captures the essence and texture of these culinary delights using only his engraving tools. This print serves as both an aesthetic delight and historical artifact, offering us a glimpse into the world of gastronomy during the late nineteenth century. The Liszt Collection proudly presents this remarkable engraving for art enthusiasts and history buffs alike to appreciate its beauty and significance.

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