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Trionfi sugar sculptures personifying virtues
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Trionfi sugar sculptures personifying virtues
Trionfi or sugar sculptures personifying virtues, Raggvaglio della solenne comparsa, fatta in Roma gli otto di gennaio MDCLXXXVII. dall illvstrissimo, et eccellentissimo signor conte di Castelmaine ambasciadore straordinario della Sagra Real Maesta di Giacomo Secondo re d Inghilterra, Scozia, Francia, et Ibernia, difensore della fede alla Santa Sede Apostolica, in andare pvblicamente all vdienza della Santita di Nostro Signore Papa Innocenzo Vndecimo, Lenardi, Giovanni Battista, 1656-1704, Westerhout, Arnold van, 1651-1725, Wright, John Michae, ca. 1617-ca. 1694, Etching, 1687?, The table sculptures were designed for the banquet given by British Ambassador Roger Palmer, Earl of Castlemaine, in Rome on January 14, 1687. Nymphs, symbolizing the virtues necessary for the happiness of monarchies, are seated before palm trees, the symbol of victory and the heraldic emblem of the family of Roger Palmer. Captions/inscriptions: 13.--in upper right. Gio. Batta. Lenardi delin.--in lower left. Arnoldo V. Westerhout fiam.o Sculp.--in lower right
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18510789
© Liszt Collection
1651 1725 1687 1694 Alla Banquet Given Captions Inscriptions Conte Della Designed Earl Family Fede Francia Giacomo Giovanni Battista Happiness Innocenzo Lower Maesta Nymphs Otto Palm Trees Palmer Papa Real Roger Santa Sculp Seated Sede Signor Signore Sugar Sculptures Symbol Symbolizing Upper Victory Virtues Wright Apostolica Arnold Van Batta British Ambassador Castlemaine Comparsa Lenardi Nostro Personifying Scozia Secondo Trionfi Westerhout
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This print showcases the exquisite Trionfi sugar sculptures personifying virtues, created for a grand banquet held in Rome on January 14,1687. The masterful design was commissioned by Roger Palmer, Earl of Castlemaine and British Ambassador at the time, to impress his esteemed guests. Crafted by renowned artists Giovanni Battista Lenardi and Arnold van Westerhout, this artistic masterpiece captures the essence of monarchial happiness. Intricately carved nymphs are depicted seated gracefully before majestic palm trees - symbols of victory and also representing the heraldic emblem of Roger Palmer's family. Each nymph embodies a specific virtue deemed essential for a prosperous monarchy. This elaborate display serves as an allegorical representation of the ideals cherished during that era. The etching itself is a testament to John Michae Wright's exceptional talent as it beautifully captures every delicate detail with precision and finesse. The composition is harmonious, evoking both awe and admiration from those who gaze upon it. Preserved through time, this remarkable print offers us a glimpse into history - an opulent moment frozen forever in artistry. It reminds us of the importance placed on virtues within society during that period while showcasing the mastery achieved by these skilled artisans.
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