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Cartoon, A new way to pay the National Debt

Cartoon, A new way to pay the National Debt


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Cartoon, A new way to pay the National Debt

Cartoon, A new way to pay the National Debt, by James Gillray. Showing King George III and Queen Charlotte receiving bags of money from the Treasury, handed over from a wheelbarrow by the Prime Minister, William Pitt. The Prince of Wales (later George IV, right) seems disappointed by a note for 200, 000 from his friend Louis Philippe Joseph, Duke of Orleans. A disabled man sits on the ground (left) with an upturned and empty hat. Date: 1786

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Media ID 14229724

© The Sharp Illustration Collection / Mary Evans Picture Library

1780s 1786 Bags Charlotte Corrupt Corruption Criticism Debt Disabled Finance Financial Georgian Gillray Greed Greedy Harsh Inequality Injustice Minister Money Moneybags Orleans Philippe Pitt Prime Satire Satirical Treasury Unjust Wheelbarrow


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > James Gillray

> Europe > United Kingdom > England > London > Politics > William Pitt

> Europe > United Kingdom > Wales > Politics

> Popular Themes > Money

> Popular Themes > Politics


EDITORS COMMENTS
This intriguing and thought-provoking cartoon by James Gillray, titled "A new way to pay the National Debt," offers a satirical commentary on the political and financial landscape of late 18th-century Britain. The image depicts King George III and Queen Charlotte seated on their thrones, each receiving overflowing bags of money from the Treasury, which is being unloaded from a wheelbarrow by the Prime Minister, William Pitt. The King and Queen appear unfazed by the influx of wealth, while the Prince of Wales, later George IV, looks displeased as he receives a mere note for 200,000. In the foreground, a disabled man sits on the ground with an upturned and empty hat, symbolizing the plight of the common people who bear the brunt of the national debt. This poignant detail adds a layer of social commentary to the cartoon, highlighting the stark inequality between the rich and the poor. The presence of the Duke of Orleans, Louis Philippe Joseph, adds an international dimension to the cartoon. He is shown handing a note to the Prime Minister, suggesting a connection between foreign influence and the financial corruption of the British government. This powerful and provocative cartoon reflects the harsh criticism and unjust realities of the time, shedding light on the corrupt and greedy practices of the political elite. The image is a testament to the enduring power of satire as a tool for social and political commentary, and a reminder of the injustices and inequalities that have shaped history.

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