Charles Le Brun - 4

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Charles Le Brun - 4

CHARLES LE BRUN French artist : appointed first painter to Louis XIV who is depicted visiting his studio, circa 1680. Date: 1619 - 1690

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Media ID 14095344

© Mary Evans Picture Library

1619 1680 1690 Appointed Brun Depicted Painter Visiting

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EDITORS COMMENTS
1. Title: A Grand Master of French Art: Charles Le Brun's Studio Visit by King Louis XIV Charles Le Brun (1619-1690), a renowned French artist, is depicted in this image as he welcomes King Louis XIV (1638-1715) to his studio around the year 1680. This evocative print, dating back to the 17th century, offers a glimpse into the world of artistic patronage and royal favor during the Age of Absolutism in France. Le Brun, a prolific painter, sculptor, and decorative artist, was the first painter to be appointed to the service of the Sun King. His influence on French art was profound, as he set the artistic direction for the royal court and the Académie Royale de Peinture et de Sculpture. This appointment marked a significant moment in the history of French art, as Le Brun's innovative style and vision shaped the artistic landscape of the time. In this image, we see Le Brun in his element, surrounded by his creations and surrounded by the opulence of his studio. The King, dressed in his regal attire, gazes intently at Le Brun's works, demonstrating his keen interest and appreciation for the arts. The artist, in turn, presents his latest masterpiece with pride and confidence, showcasing the depth of his talent and the harmony of his artistic vision. The print, with its intricate details and rich colors, transports us back to a time when the arts were a vital expression of power, prestige, and creativity. It serves as a testament to the enduring influence of Charles Le Brun on French art and to the profound impact of artistic patronage on the cultural landscape of Europe. This historical print is an invaluable resource for scholars, art historians, and anyone interested in the history of French art and the Age of Absolutism. It offers a unique perspective on the relationship between artists, patrons, and the power structures of the time, making it an essential addition to any collection or research project.

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