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Costumes from the reign of George II, 1751
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Costumes from the reign of George II, 1751
Costumes from the reign of George II, 1751, from views of Vauxhall Gardens.. Handcolored engraving from Civil Costume of England from the Conquest to the Present Period drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854)
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Media ID 14216075
© Florilegius / Mary Evans
Breeches Buckled Cane Conquest Cuff Embroidered Etched Leopold Martin Present Shoes Stockings Tricorn Vauxhall Waistcoat
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EDITORS COMMENTS
This handcolored engraving, titled 'Costumes from the Reign of George II, 1751,' offers a fascinating glimpse into the opulent world of fashion during the 18th century. The image, drawn by Charles Martin and etched by Leopold Martin, was part of the comprehensive work 'Civil Costume of England from the Conquest to the Present Period.' The brothers, sons of the renowned romantic artist and mezzotint engraver John Martin, meticulously created this illustration based on various sources, including tapestries, monumental effigies, illuminated manuscripts, and portraits. The scene is set at Vauxhall Gardens, a popular social venue during the Georgian era, where people of all classes gathered to enjoy music, dance, and each other's company. In the foreground, a gentleman in an elegant waistcoat, adorned with intricate embroidery, and a coat with gold buttons, engages in conversation with a lady in an elaborate gown, complete with a voluminous petticoat and a lace cap. The gentleman wears knee-length breeches, stockings held up by garters, and buckled shoes. He accessorizes with a tricorn hat, a wig, a sword, and a cane. The lady's ensemble includes a high-necked, long-sleeved gown, a mantua, and a shawl. Her hair is styled in an elaborate wig, and she holds a fan in one hand. The attention to detail in the textures and patterns of the fabrics, as well as the accessories, is truly remarkable. This illustration serves as a testament to the grandeur and elegance of the Georgian era, providing a window into a bygone era of fashion and social life.
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