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The Crucifixion or The Calvary, 1617, by Pieter Brueghel the
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The Crucifixion or The Calvary, 1617, by Pieter Brueghel the
Pieter Brueghel the Younger (1564-1638). Flemish painter. The Crucifixion or The Calvary, 1617. Museum of Fine Arts. Budapest. Hungary
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Media ID 14327889
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1617 Arts Brueghel Budapest Calvary Christ Christianism Copenhagen Crucified Crucifixion Denmark Flanders Flemish Hungary Jesus Journey Mannierism Mount Passion Pieter Renaissance Robber Testament Younger
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EDITORS COMMENTS
The Crucifixion or The Calvary," painted by Pieter Brueghel the Younger in 1617, is a powerful and poignant masterpiece of Flemish art housed in the Museum of Fine Arts in Budapest, Hungary. This exquisite painting transports us back to the New Testament account of the Passion of Christ, as depicted through the masterful brushstrokes of Brueghel the Younger. The scene unfolds in a rugged, hilly landscape, reminiscent of the Flemish countryside. At the center, Jesus Christ, crucified on the cross, gazes down upon the crowd below with a serene expression. Surrounding the cross, a diverse group of people, including men, women, and even children, gather to witness the event. Some react with sorrow, others with disbelief, while a few appear indifferent. A horse and a dog, seemingly out of place in this religious scene, add an element of reality and humanize the painting. In the background, a group of robbers, possibly the "Good Thief" and "Bad Thief," are shown being led away. The inclusion of these figures underscores the theme of redemption and forgiveness. Brueghel the Younger's use of Mannierist techniques, such as elongated figures and exaggerated gestures, adds depth and drama to the painting. The intricate details, from the folds in the robes to the expressions on the faces, draw the viewer in and invite contemplation. This painting, a testament to the power of art to transport us to another time and place, invites us to reflect on the universal themes of life, death, and the human condition. The Crucifixion or The Calvary is a must-see for anyone interested in the history of art, religion, or the human experience. The painting was originally in the collection of King Christian IV of Denmark before being acquired by the Museum of Fine Arts in Budapest. Today, it remains an enduring symbol of the rich artistic heritage of Flanders and the broader European Renaissance tradition.
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