Emma de Burgh, tattooed lady, 1897
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Emma de Burgh, tattooed lady, 1897
Emma de Burgh, tattooed lady. The work on her back depicts the Last Supper, by Da Vinci, and was regarded at the time to be one of the finest piece of tattooing produced in America. Above the Last Supper is the Golden Rule, written in a scroll, and on the table cloth are the words Love one another. Her husbands tattoos can be viewed in picture 10583082 and 10583083. Date: 1897
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Media ID 7248361
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10583085
1897 Biblical Body Burgh C Ulture Devotion Emma Morals Supper Tattoo Tattooed Tattoos Toilet Vinci
EDITORS COMMENTS
Emma de Burgh, Tattooed Lady with the Last Supper, 1897: A Vision of Devotion and Love in the Victorian Era Emma de Burgh, an intriguing figure of the late 19th century, was a renowned tattooed lady whose body art was a marvel of the time. In this photograph, Emma's back is adorned with a magnificent tattoo of Leonardo da Vinci's Last Supper, considered one of the finest pieces of tattooing produced in America during the 1890s. Above the biblical scene, a scroll inscribed with the Golden Rule reads, "Do unto others as you would have them do unto you." The tablecloth below bears the words "Love one another," further emphasizing the Christian devotion that inspired this extraordinary work of art. The intricacy and detail of the tattoo are truly remarkable, showcasing the skill and artistry of the tattoo artist. The image of the Last Supper, with its twelve apostles gathered around the table, is a testament to the cultural significance of religious iconography during the Victorian era. The presence of such a sacred scene on a woman's body, however, may have raised eyebrows and sparked debates about morality and the role of women in society. Emma's husband's tattoos, which can be seen in pictures 10583082 and 10583083, further highlight the shared devotion and bond between the couple. This photograph offers a unique glimpse into the world of tattoo culture during the 1890s, where body art was not only a form of self-expression but also a reflection of deeply held beliefs and values. In summary, this photograph of Emma de Burgh, the tattooed lady with the Last Supper, is a fascinating snapshot of the intersection between art, religion, and culture in the late Victorian era. The intricate tattoo, with its biblical scene and moral message, serves as a reminder of the enduring power of art to inspire and provoke thought, even in the most unexpected places.
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