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Exposition des oeuvres des artistes originaires des Departem
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Exposition des oeuvres des artistes originaires des Departem
Exposition des oeuvres des artistes originaires des Departements envahis. Ecole des Beaux-Arts. Three artists, the sculptor Chavaillaud, the sculptor Engrau, and the painter Grangerard are fleeing the invaded territory with their art works. Date 1915. Exposition des oeuvres des artistes originaires des Departements envahis. Ecole des Beaux-Arts. Three artists, the sculptor Chavaillaud, the sculptor Engrau, and the painter Grangerard are fleeing the invaded territory with their art works. Date 1915
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Artistes Beaux Ecole Exposition Oeuvres
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Amidst the chaos and turmoil of war, the sacred world of art refused to be silenced. In 1915, as the Departments of France were under invasion, the Ecole des Beaux-Arts organized an extraordinary exhibition, "Exposition des oeuvres des artistes originaires des Departements envahis." This exhibition was a testament to the resilience and determination of three brave artists - Chavaillaud, Engrau, and Grangerard - who defied the odds and carried on with their creative pursuits. In this poignant image, the three artists are seen fleeing the invaded territory, each clutching their precious artworks close to their chests. Chavaillaud, the sculptor, cradles a delicate marble statue, its intricate details visible even in the haste of their escape. Engrau, the second sculptor, follows closely behind, his rough hands protecting a large bronze sculpture from the elements. Grangerard, the painter, carries a rolled-up canvas under his arm, the vibrant colors peeking through the fabric. The trio's determined expressions and the gravity of their situation add to the poignancy of the moment. The Ecole des Beaux-Arts, a beacon of artistic excellence, stood firm in its commitment to preserving the legacy of these artists, even in the face of adversity. The "Exposition des oeuvres des artistes originaires des Departements envahis" was a symbol of hope and resilience, a testament to the enduring power of art in the face of war and destruction.
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