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Tribute - Endpapers
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Tribute - Endpapers
Tribute - Endpapers. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s, she moved on from earlier highly-decorative fairy art to produce beautiful monotone woodcuts in a distinctly oriental style. The artwork (for this book) was credited to Molly McArthur. Date: 1925
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Media ID 18527810
© The Florence Mary Anderson Collection / Mary Evans Picture Library
Anderson Endpapers Florence Macarthur Mcarthur Molly Monochrome Monotone Tribute Woodcut 1925
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This image, titled "Tribute - Endpapers," showcases the exquisite monotone woodcut artwork of Florence Mary Anderson, also known as Molly MacArthur, created in 1925. During the 1920s, Anderson transitioned from her earlier, highly-decorative fairy art to produce these stunning, oriental-style woodcuts. Born in 1893, Anderson was a prolific and versatile artist whose work graced numerous books, magazines, and advertisements. However, this particular artwork, credited to Molly McArthur, stands out for its unique beauty and simplicity. The intricate, monochrome design is a testament to Anderson's mastery of the woodcut technique, with its delicate lines and intricate patterns evoking a sense of tranquility and elegance. The image, which was created as the endpapers for a book, is a visual feast for the eyes, with its intricate patterns and subtle shading. The use of monotone woodcut adds a sense of depth and texture, making each line and shape stand out in stark relief. The overall effect is one of timeless beauty and sophistication, making this artwork a true tribute to the artistic vision of Florence Mary Anderson. Anderson's work during this period is often described as having an oriental influence, with its use of bold lines, intricate patterns, and muted colors. Her ability to create such beautiful and intricate designs using just a few colors and simple tools is a testament to her skill and artistic vision. This image, "Tribute - Endpapers," is a prime example of her work during this period and a true masterpiece of the monotone woodcut technique.
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