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Tribute - The Watch Tower
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Tribute - The Watch Tower
Tribute - The Watch Tower. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s, she moved on from earlier highly-decorative fairy art to produce beautiful monotone woodcuts in a distinctly oriental style. The artwork (for this book) was credited to Molly McArthur. Date: 1925
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 18527842
© The Florence Mary Anderson Collection / Mary Evans Picture Library
Anderson Florence Macarthur Mcarthur Molly Monochrome Monotone Tribute Watch Woodcut 1925
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This woodcut print, titled "Tribute - The Watch Tower," is a stunning example of the monotone illustrations created by the talented Florence Mary Anderson, also known as Molly MacArthur, in the mid-1920s. A departure from her earlier, highly-decorative fairy art, these woodcuts showcase Anderson's unique oriental style. Born in 1893, Anderson's artistic career spanned several decades, and her body of work reflects the evolving trends and influences of the time. However, it was in the mid-1920s that she truly came into her own, producing a series of exquisite woodcut prints that were both modern and timeless. The artwork for "Tribute - The Watch Tower," which dates back to 1925, is a testament to Anderson's mastery of the woodcut technique. The intricate details of the watch tower, with its turreted walls and ornate decorations, are rendered in bold, expressive lines, while the monotone palette adds a sense of depth and mystery. The overall effect is one of quiet contemplation and reverence, making this print an ideal addition to any collection of vintage illustrations or decorative art. Anderson's work during this period was credited to Molly McArthur, and her prints were widely popular during the 1920s and beyond. Today, they continue to captivate collectors and art lovers alike, offering a glimpse into a bygone era of beauty and craftsmanship.
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