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Fountain of Saint Peter, 1595. By Hans Ruprecht Hoffmann (15

Fountain of Saint Peter, 1595. By Hans Ruprecht Hoffmann (15


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Fountain of Saint Peter, 1595. By Hans Ruprecht Hoffmann (15

Germany. Trier. Fountain of Saint Peter, 1595. By Hans Ruprecht Hoffmann (1545-1617)

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14329998

© Thaliastock / Mary Evans

1595 Cardinal Dolphin Eagle Fence Fountain Geese Hans Hoffmann Justice Lion Patron Peter Putti Scales Symbol Trier Virtue Virtues Ruprecht


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> Animals > Aquatic > Cetacea > Dolphin

> Animals > Birds > Waterfowl > Geese > Related Images

> Animals > Fishes > D > Dolphin Fish

> Arts > Contemporary art > Modern art > Sculpture

> Arts > Contemporary art > Sculpture > Modern art

> Arts > Modern art pieces

> Arts > Sculpture

> Europe > Germany > Sculptures


EDITORS COMMENTS
This exquisite print, created by Hans Ruprecht Hoffmann in 1595, showcases the stunning Fountain of Saint Peter in Trier, Germany. The image captures the essence of the European Renaissance, with its intricate decorative elements and lifelike figures. At the center of the composition stands a cardinal figure, representing Saint Peter, the patron saint of the city of Trier. He is depicted with his coat of arms, adorned with the keys of the kingdom of heaven and the papal tiara. Surrounding him are various animals, including lions, eagles, dolphins, fish, geese, and putti, which symbolize justice, virtue, and the modern age. The fountain itself is a masterpiece of Renaissance sculpture, with columns supporting the figure of Saint Peter and intricate decorative elements. The open air setting adds to the sense of tranquility and serenity, as the water cascades down from the various tiers of the fountain, creating a refreshing contrast to the stone figures. The print also features various symbols associated with Saint Peter, such as the scales, which represent his role as a judge in the afterlife, and the sword, which symbolizes his role as a protector and defender. The overall effect is one of grandeur and beauty, showcasing the artistic prowess of Hans Ruprecht Hoffmann and the rich cultural heritage of Trier during the 16th century.

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