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The Holy Women at the Sepulchre, 1644, by Ferdinand Bol (161
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The Holy Women at the Sepulchre, 1644, by Ferdinand Bol (161
Ferdinand Bol (1616-1680). Dutch painter. The Holy Women at the Sepulchre, 1644. National Museum of Denmark. Copenhagen. Denmark
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Media ID 14328025
© Thaliastock / Mary Evans
1644 Angel Announce Announcing Armor Arrow Baroque Biblical Christ Christianism Copenhagen Denmark Ferdinand Jesus Resurrection Sepulchre Shield Surprise Surprised Testament Tomb Wing Winged Resurrect
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EDITORS COMMENTS
The Holy Women at the Sepulchre," painted by Ferdinand Bol in 1644, is a captivating Baroque masterpiece housed in the National Museum of Denmark in Copenhagen. This painting, a testament to the rich artistic heritage of the Dutch Golden Age, depicts a scene from the New Testament where a group of holy women, including Mary Magdalene and Mary, the mother of Jesus, are surprised by the sudden appearance of two winged angels announcing the resurrection of Christ. The women, dressed in flowing robes, are gathered around the empty sepulchre, their faces etched with expressions of shock and awe. One woman reaches out to touch the cloth that had covered the tomb, while another covers her mouth in disbelief. In the foreground, an angel, clad in armor and bearing a shield and sword, announces the news of the resurrection with an arrow pointed skyward. His companion, a winged figure with a serene expression, hovers above, her wings spread wide in a gesture of triumph. The interior of the painting is bathed in soft, ethereal light, with the intricately carved archway providing a sense of depth and perspective. The use of chiaroscuro, or the contrast between light and dark, adds a sense of drama and tension to the scene. The painting's intricate details, from the folds of the women's robes to the ornate armor of the angels, showcase Bol's exceptional skill as a painter. "The Holy Women at the Sepulchre" is a powerful and moving work of art that continues to captivate viewers with its beautiful composition, intricate details, and deeply religious themes. It is a must-see for anyone interested in the history of art, religion, or the Dutch Golden Age.
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