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Honey badger, Mellivora capensis, and least
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Honey badger, Mellivora capensis, and least
Honey badger, Mellivora capensis, and least weasel, Mustela nivalis.. Handcolored copperplate stipple engraving from Frederic Cuviers Dictionary of Natural Science: Mammals, Paris, France, 1816. Illustration by J. G. Pretre, engraved by Madame Massard, directed by Pierre Jean-Francois Turpin, and published by F.G. Levrault. Jean Gabriel Pretre (1780-1845) was painter of natural history at Empress Josephines zoo and later became artist to the Museum of Natural History
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Media ID 14215056
© Florilegius / Mary Evans
Badger Capensis Cuvier Dictionary Frederic Gabriel Honey Mellivora Mustela Nivalis Pretre Stipple Weasel
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This exquisite handcolored copperplate stipple engraving, taken from Frederic Cuvier's Dictionary of Natural Science: Mammals, published in Paris, France, in 1816, showcases two fascinating and tenacious creatures of the animal kingdom: the Honey Badger (Mellivora capensis) and the Least Weasel (Mustela nivalis). The illustration, painted by Jean Gabriel Pretre and engraved by Madame Massard under the direction of Pierre Jean-Francois Turpin, offers a detailed and captivating representation of these animals. The Honey Badger, also known as the Ratel or the "honey bear," is a small, powerful, and fearless predator native to Africa and parts of Asia. With its distinctive stripes and sharp claws, this animal is renowned for its ability to attack and kill venomous snakes, as well as other formidable adversaries. The Honey Badger's diet consists primarily of honey, bees, and other insects, making it an essential part of its ecosystem. The Least Weasel, the smallest member of the weasel family, is depicted alongside the Honey Badger in this enchanting print. With its slender body and bushy tail, this elusive creature is native to Europe, Asia, and North America. The Least Weasel is an opportunistic predator, feeding on a diverse range of prey, including rodents, birds, and amphibians. Its agility and tenacity make it a formidable adversary for animals much larger than itself. This stunning illustration not only showcases the natural beauty and intricacies of these two fascinating creatures but also provides a glimpse into the rich history of zoological art. Jean Gabriel Pretre, the painter, was a renowned artist of natural history, having worked at Empress Josephine's zoo and later becoming the artist to the Museum of Natural History. The intricate stipple engraving technique employed by Madame Massard and the expert direction of Pierre Jean-Francois Turpin further elevate the artwork, making it a true masterpiece of its time.
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