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HONORIUS III (1150-1227). Pope from 1216 to 1227

HONORIUS III (1150-1227). Pope from 1216 to 1227


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HONORIUS III (1150-1227). Pope from 1216 to 1227

HONORIUS III (1150-1227). Pope from 1216 to 1227. The Approval of the Order. GHIRLANDAIO, Domenico di Tommaso Bigordi, called (1449-1494). Renaissance art. Quattrocento. Fresco. ITALY. PIEDMONT. Turin. National Library of the Turin University

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Media ID 14182838

© Iberfoto/Mary Evans

1150 1216 1227 1449 1494 Approval Bigordi Called Catholicism Catholics Clergy Domenico Franciscan Fresco Frescoes Friar Friars Ghirlandaio Honorius Monk Monks Order Paintings Papacy Papal Pictures Piedmont Pope Priest Priests Quattrocento Renaissance Times Tommaso Turin University


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EDITORS COMMENTS
1. Title: Honorus III's Approval of the Franciscan Order - A Historic Moment in Quattrocento Art This fresco, painted by the renowned Florentine artist Domenico Ghirlandaio (1449-1494), showcases an essential moment in the history of the Catholic Church during the Early Modern Era. Depicted is Pope Honorus III (1150-1227), who ruled as the Pope from 1216 to 1227, granting his approval to the newly founded Franciscan Order. The scene, set against a horizontal, colorful background, is a testament to the artistic prowess of the Quattrocento period in Italy. The fresco, housed in the National Library of the Turin University in Piedmont, Italy, is a prime example of the Renaissance art that flourished during this time. In the painting, Pope Honorus III is seen seated on his papal throne, surrounded by a group of cardinals and clergy. Before him stands a humble Franciscan friar, likely representing Saint Francis of Assisi, the founder of the Franciscan Order. The pope, with a benevolent expression, extends his hand in approval, symbolizing the recognition and legitimacy of the new religious order. The painting's vivid colors and intricate details bring the historical scene to life, providing a glimpse into the early days of the Franciscan Order and the papacy during the 13th century. The presence of priests and monks in the painting further emphasizes the significance of the Catholic Church during this time. This artwork is a precious historical document that offers insights into the Western world's religious, social, and artistic landscape during the Quattrocento period. It is a must-see for anyone interested in the history of the Catholic Church, the Franciscan Order, or the development of Renaissance art.

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