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Cartoon of clay-diggers / peasants and mole

Cartoon of clay-diggers  /  peasants and mole


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Cartoon of clay-diggers / peasants and mole

Cartoon of clay-diggers / peasants and mole. Woodblock by George Cruikshank, from Chandos Wren-Hoskyns, Talpa or the Chronicles of a Clay Farm. An Agricultural Fragment(3rd edition). Frontispiece. Date: 1854

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Media ID 10290385

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1854 Agricultural Chandos Chronicles Clay Cruikshank Diggers Edition Frontispiece Mole Peasants Talpa Woodblock Wren


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EDITORS COMMENTS
This woodblock print, titled "Talpa or the Chronicles of a Clay Farm: An Agricultural Fragment," was created by the renowned English satirical artist George Cruikshank for the third edition of Chandos Wren-Hoskyns' publication in 1854. The frontispiece image showcases a lively scene of clay-diggers, or peasants, at work on a farm. The clay-diggers, depicted in a humorous and almost caricatured manner, are shown laboriously extracting clay from the earth, while a mischievous mole burrows beneath their feet, causing them to stumble and lose their footing. The title of the print, "Talpa," is derived from the Latin word for mole, a creature known for its digging abilities. Cruikshank's use of this term adds an intellectual and literary touch to the otherwise simple and rustic scene. The woodblock print technique, popular during the 19th century, was used to create intricate and detailed images, as seen in the textured clothing and expressive faces of the clay-diggers. The overall tone of the print is lighthearted and humorous, yet it also highlights the hardships and challenges faced by agricultural laborers during this time period. The inclusion of the mole adds an element of unpredictability and chaos to the scene, emphasizing the unpredictable nature of farming life. This charming and intricate print is a testament to the artistic talent and social commentary of George Cruikshank and the agricultural insights of Chandos Wren-Hoskyns. It provides a glimpse into the past, offering a unique perspective on rural life during the mid-19th century.

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