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Lady Curzon of Kedleston and her children, 1917
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Lady Curzon of Kedleston and her children, 1917
Tatler front cover featuring Mrs Alfred Duggan, born Grace Elvina Hinds (1879-1958daughter of Mr. Monroe Hinds, the second wife of George Nathaniel Curzon, 1st Baron Curzon of Kedleston. She is pictured with her three children from her first marriage, Alfred, Hubert and Grace. Lord Curzon had three daughters, but he and Grace could not have any children together. The couple eventually separated. Date: 1917
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Media ID 14141977
© Illustrated London News Ltd/Mary Evans
Covers Curzon Grace Hinds Hubert Kedleston Magazines Peerage Tatler Elvina
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Grace Elvina Hinds, later Mrs. Alfred Duggan, is depicted in this striking portrait with her three cherished children, Alfred, Hubert, and Grace, on the front cover of Tatler magazine in 1917. Born to Mr. Monroe Hinds, Grace was the second wife of the esteemed George Nathaniel Curzon, 1st Baron Curzon of Kedleston. Their union, however, was childless, as the peer and his wife could not conceive together. Lord Curzon, a prominent figure in British politics and diplomacy, had three daughters from his first marriage. Despite their inability to have children of their own, Grace's love for her three children from her previous marriage remained unwavering. The tender moment captured in this photograph showcases the deep bond between mother and offspring, as they gather together in a warm embrace. The Curzons were a prominent and influential family in British society during the early 20th century. Lord Curzon served as Viceroy of India from 1899 to 1905, and later as Foreign Secretary from 1919 to 1924. Grace's presence in this portrait underscores the complexities of the peerage and the intricacies of the lives of the aristocracy during this era. This evocative image, with its rich historical significance, offers a glimpse into the personal lives of the Curzons and the societal norms of the time. The cover of Tatler magazine, a leading society publication, served as a platform to showcase the elegance and grace of its subjects, making this portrait an invaluable addition to any collection of historical portraits.
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