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The living issue

The living issue


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The living issue

The living issue. Illustration shows William Jennings Bryan pulling on strings attached to a skeleton labeled 16 to 1 trying to make it jump like a wooden toy. Date 1900 June 6. The living issue. Illustration shows William Jennings Bryan pulling on strings attached to a skeleton labeled 16 to 1 trying to make it jump like a wooden toy. Date 1900 June 6

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 7356778

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10606071

Issue Living Puck


EDITORS COMMENTS
This illustration, published in the American humor magazine Puck on June 6, 1900, offers a satirical take on the political climate of the time. The image features William Jennings Bryan, a prominent figure in American politics, attempting to manipulate a skeleton labeled "16 to 1" as if it were a wooden toy. The number "16 to 1" was a reference to the odds against Bryan in the upcoming presidential election, where he was the underdog candidate. Bryan, known for his passionate oratory and progressive views, was a three-time candidate for the Democratic Party's presidential nomination. In this cartoon, he is depicted as a puppeteer, trying to bring the skeleton to life and sway public opinion in his favor. The skeleton, symbolizing the seemingly lifeless state of the political landscape, remains unmoved, highlighting the challenges Bryan faced in his campaign. The use of a skeleton as a metaphor for the political issue at hand was a common motif in political cartoons of the time. It underscores the idea that the election was a battle between life and death, or progress and stagnation. The illustration serves as a reminder of the intense political debates and the high stakes involved in the presidential election of 1900. This image from Puck magazine offers a unique insight into the political climate of the early 20th century and the challenges faced by William Jennings Bryan during his presidential campaigns. It is a testament to the power of satire and the enduring role of political cartoons in shaping public discourse.

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