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Maskelyne & Cooks automaton, Psycho
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Maskelyne & Cooks automaton, Psycho
Maskelyne & Cooks thought-reading, whist playing automaton, Psycho, as demonstrated at the Egyptian Hall in Piccadilly, London
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Media ID 572533
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10006123
1875 Automata Automaton Cook Cooke Illusion Invention Inventions Maskelyne Piccadilly Robot Robots Thought Turban Whist Psycho
EDITORS COMMENTS
Maskelyne & Cook's Automaton, Psycho: A Peek into the Victorian World of Illusions and Inventions This photograph depicts the famous thought-reading automaton, Psycho, as demonstrated by the esteemed duo, Maskelyne & Cook, at the Egyptian Hall in Piccadilly, London, during the 1870s. The automaton, with its intricate design and mysterious aura, is a testament to the ingenuity and creativity of the Victorian era. Maskelyne & Cook, renowned for their illusion shows, presented Psycho as an extraordinary invention that could read the thoughts of men by observing their gestures and movements over a table spread with playing cards. The turbaned figure in the foreground, believed to be Cook, skillfully manipulates the automaton, while two men in suits, intrigued and amused, lean in for a closer look. The automaton, with its intricate mechanisms and complex workings, was a marvel of its time. The Victorian fascination with science, technology, and the supernatural is evident in the crowd gathered around the table, eager to witness this extraordinary spectacle. The Egyptian Hall, with its grandeur and historical significance, provided the perfect backdrop for this mind-boggling illusion. Psycho, a product of the 1870s, represents the intersection of science, magic, and entertainment during the Victorian era. This photograph offers a glimpse into a bygone era, where the boundaries between reality and illusion were blurred, and the imagination knew no limits. Maskelyne & Cook's Automaton, Psycho, remains an enduring symbol of the Victorian fascination with the unknown and the extraordinary.
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