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Music cover for Two Marionettes Polka
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Music cover for Two Marionettes Polka
Music cover for Two Marionettes Polka, composed by May Ostlere. Two puppets (without strings!) are depicted dancing on a small stage, framed by red and gold curtains. A mouse in the lower right corner is imitating them. The female dancer on the left is wearing a frilly bonnet, stripy blouse and spotty apron. The male dancer on the right is dressed in a red and white pierrot costume
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Media ID 4459829
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10413064
1889 Apron Blouse Bonnet Cocks Composed Crest Curtains Dancer Dancers Frilly Imitating Marionette Marionettes Perform Performer Performers Polka Puppet Puppets Spotty Stripy Tassels Pom Pom
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Two Marionettes Polka: A Victorian Delight of Dance and Whimsy This image showcases a musical cover for the composition "Two Marionettes Polka," penned by the talented May Ostlere in 1889. The cover art depicts two enchanting marionettes, without strings, gracefully performing on a small, elegantly decorated stage. Framed by rich red and gold curtains adorned with intricate tassels, the stage exudes an air of opulence and grandeur. The female marionette on the left dons a frilly bonnet, a stripy blouse, and a spotty apron, embodying the feminine charm of the era. Her male counterpart, dressed in a red and white pierrot costume, adds a playful and mischievous touch to the scene. In the lower right corner, a curious mouse, with its tiny pom-pom tail, eagerly imitates the dancers, adding an element of surprise and delight to the composition. The overall atmosphere of the cover is reminiscent of the late Victorian era, evoking memories of historical performances and theatrical entertainments. This charming and whimsical cover art, with its intricate details and delightful characters, invites us to step back in time and experience the enchantment of the 1880s, where music, dance, and the art of puppetry came together to create unforgettable memories.
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