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Audience with the Grand Vizier in the throne room

Audience with the Grand Vizier in the throne room


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Audience with the Grand Vizier in the throne room

Audience with the Grand Vizier in the throne room of Topkapi Palace. Sala del Trono. Handcoloured copperplate engraving by Giarre after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Modern o Story, Florence, 1842. Copied from Ignace Mouradgea d Ohssons Tableau General de L Empire Othoman, Paris, 1790

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Media ID 23384492

© Florilegius

Adam Antico Audience Dohsson Ferrario Flames Giulio Halo Ignace Islam Islamic Lempire Manuscript Migliavacca Mouradgea Othoman Paradise Peoples Persian Portrayal Robes Tableau Throne Vizier Adamo Ottoman


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Audience with the Grand Vizier in the Throne Room of Topkapi Palace: A Portrayal of Oriental Splendor and Power This hand-colored copperplate engraving by Giarre after Giulio Ferrario, titled "Audience with the Grand Vizier in the Throne Room of Topkapi Palace," offers a captivating glimpse into the grandeur and intrigue of the Ottoman Empire during the late 18th century. The image, taken from Ignace Mouradgea d'Ohsson's "Tableau General de L'Empire Ottoman," showcases the audience chamber of the Sala del Trono in the Topkapi Palace in Istanbul. At the center of the scene, the Grand Vizier, a powerful and influential figure in the Ottoman court, stands before the throne. He is dressed in the rich robes of his office, adorned with intricate gold and silver embroidery, and wears a tall, pointed hat, signifying his high rank. The audience chamber is filled with an air of reverence and anticipation, with courtiers and officials gathered around, their faces expressing various emotions. In the background, the tree of life, a symbol of eternal life and renewal, dominates the room, its branches reaching towards the heavens. The tree is surrounded by a halo and flames, representing the paradise that lies beyond. The presence of Adam and Eve at the base of the tree adds a biblical touch to the scene, emphasizing the connection between the Islamic and Judeo-Christian traditions. The intricate details of the robes, the ornate furnishings, and the vibrant colors of the engraving transport us back to a time when the Ottoman Empire was at the height of its power and influence. This historical illustration, with its stunning visuals and rich symbolism, offers a fascinating glimpse into the world of the Grand Vizier and the Ottoman court.

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