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Double blue anemone and double anemone varieties
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Double blue anemone and double anemone varieties
Double blue anemone and double anemone varieties, Anemone coronaria. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805
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Media ID 23167554
© Florilegius/Mary Evans
Anemone Coronaria Curtis Double Edwards Hybrid Lectures Register Sydenham Varieties
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This stunning hand-colored copperplate engraving showcases the captivating beauty of Double Blue Anemones and their various varieties, as illustrated by Sydenham Edwards and engraved by F. Sansom for William Curtis' Lectures on Botany, delivered at the Botanic Garden in Lambeth, England, in 1805. Anemone coronaria, commonly known as the Red Anemone or Windflower Anemone, is a hybrid species that has captivated botanists and artists for centuries. The Double Blue Anemone, with its unique double-layered petals, adds an extra layer of allure to this already enchanting flower. The intricate details of the petals, veins, and stamen are expertly rendered in this beautiful engraving, which was a popular method of botanical illustration during the 18th and 19th centuries. The hand-coloring adds a vibrant and lifelike quality to the image, making it a true work of art. Sydenham Edwards was a renowned botanical artist of the time, known for his meticulous attention to detail and accurate representation of his subjects. His illustrations were regularly featured in various botanical publications, including Curtis' Botanical Magazine and the Gardeners' Chronicle. William Curtis was a prominent figure in the world of botany, having founded the Botanic Garden in Lambeth and publishing the first volume of his Botanical Magazine in 1787. His lectures on botany were highly regarded for their comprehensive coverage of various plant species and their uses. This engraving is a testament to the beauty and diversity of the natural world, as well as the skill and artistry of the botanical illustrators and engravers of the time. It remains an invaluable resource for botanical research and a source of inspiration for artists and gardeners alike.
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