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Father Nicholas of Tirana accused of eating his wife
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Father Nicholas of Tirana accused of eating his wife
Story in The Graphic in January 1928 alleging that Father Nicholas, a Greek Orthodox priest from Tirana was being tried for pickling and eating his wife after she had broken her neck falling downstairs. The story turned out to be completely fabricated and the magazine issued an apology in a later issue (see picture number).
1928
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Media ID 23067954
© Illustrated London News Ltd/Mary Evans
Cannibal Cannibalism Eating Fake Graphic Journalism News Nicholas Orthodox Pickling Press Priest Scandalous Stories Tirana Salacious Untrue
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EDITORS COMMENTS
In the turbulent world of journalism during the 1920s, sensationalism and scandalous stories often grabbed headlines, captivating the public's imagination. One such tale, published in The Graphic magazine in January 1928, accused Father Nicholas, a Greek Orthodox priest from Tirana, of an unthinkable crime: pickling and eating his wife after she had broken her neck falling downstairs. The image of Father Nicholas, with a sinister expression and a knife and pickling jar in hand, accompanied the article, fueling the salacious rumors. The story spread like wildfire, causing an uproar among the public and bringing shame upon the name of the Greek Orthodox Church. However, the sensational tale was nothing more than a fabrication, a product of the sensationalist press. The Graphic later issued an apology in a subsequent issue, acknowledging the error and expressing regret for the harm caused to Father Nicholas' reputation. The incident serves as a reminder of the power of the press and the importance of fact-checking and journalistic integrity. In an era where scandalous stories were often prioritized over truth, it is a sobering reminder of the potential consequences of sensationalism and the importance of responsible journalism. Despite the apology, the damage had been done, and the image of Father Nicholas as a cannibalistic priest lingered in the public consciousness. The incident remains a fascinating chapter in the history of journalism and the power of the press to shape public opinion, for better or for worse. This photograph, taken from the archives of Mary Evans Prints Online, is a poignant reminder of the importance of factual accuracy and the potential consequences of sensationalist reporting. It is a testament to the enduring power of the press and the impact of unfounded rumors on individuals and communities.
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