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Head of a San (Housouana) woman of South Africa

Head of a San (Housouana) woman of South Africa


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Head of a San (Housouana) woman of South Africa

Head of a San (Housouana) woman of South Africa, with beads in her hair, earrings and necklaces. From Francois Le Vaillants Second Voyage into the Interior of Africa. Copperplate engraving by Dell Acqua handcoloured by Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817. Head of a San (Housouana) woman of South Africa, with beads in her hair, earrings and necklaces. From Francois Le Vaillants Second Voyage into the Interior of Africa. Copperplate engraving by Dell Acqua handcoloured by Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817

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Media ID 23208706

© Florilegius/Mary Evans

Battista Beads Bushmen Dellacqua Earrings Francois Giovanni Lazaretti Necklace Second Sonzogno Vaillant Voyage


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EDITORS COMMENTS
This image showcases the intricately adorned head of a San (Housouana) woman from South Africa, as depicted in Francois Le Vaillant's "Second Voyage into the Interior of Africa." The engraving, created by Dell Acqua and hand-colored by Lazaretti for Giovanni Battista Sonzogno's "Collection of the Most Interesting Voyages," offers a rare glimpse into the rich cultural traditions of the San people during the early 19th century. The woman's head is adorned with an abundance of beads, meticulously woven into her long, flowing hair. She wears earrings and a necklace, further enhancing her striking appearance. The San people, also known as the Bushmen, are indigenous to Southern Africa and have a long history of using beadwork as a form of self-expression and as a symbol of status and wealth. Le Vaillant's account of his travels through the interior of Africa, published between 1815 and 1817, was a significant contribution to European knowledge of the continent. The detailed copperplate engraving of the San woman is a testament to the accuracy and thoroughness of Le Vaillant's observations and the skill of the Italian engraver and colorist. This image offers a fascinating glimpse into the past, showcasing the beauty and intricacy of the San people's traditional attire and the importance of beadwork in their culture. It serves as a reminder of the rich cultural heritage that continues to influence contemporary South African art and design.

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