Lafeuillade as Montfort in La Bergere Chatelaine, 1820

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Lafeuillade as Montfort in La Bergere Chatelaine, 1820

Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d Acteurs et d Actrices dans different roles, F. Noel, Paris, 1825

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Media ID 23166904

© Florilegius/Mary Evans

Alexandre Marie Auber Bergere Chatelaine Colin Comique Dacteurs Dactrices Daniel Dans Lavigne Lopera Marin Montfort Noel Opera Singer Tenor

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> Europe > France > Paris > Opera

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EDITORS COMMENTS
or "The Shepherdess Landlady," was a popular opera-comique production that premiered at the Theatre Royal de l'Opéra-Comique in Paris on January 29, 1820. The leading tenor role of Montfort was brilliantly portrayed by Alexandre-Marie Lafeuillade, a renowned comic singer of the time. This stunning handcoloured lithograph captures Lafeuillade in the role of Montfort, showcasing his expressive facial features and theatrical flair. The illustration, created by Lavigne Marin and published by F. Noel in 1825, is based on a drawing by an unidentified artist. The image offers a glimpse into the elaborate costumes and staging of the production, with Montfort dressed in a fashionable coat and waistcoat, holding a cane and gazing intently at the audience. The opera-comique genre was known for its lighthearted and satirical take on contemporary issues, and "La Bergere Chatelaine" was no exception. The plot revolves around a shepherdess who disguises herself as a landlady to test the loyalty of her lover. Montfort, the character portrayed by Lafeuillade, plays a crucial role in the story, providing comic relief and adding depth to the production. Lafeuillade's performance as Montfort was widely acclaimed, and this lithograph serves as a testament to his talent and the enduring appeal of "La Bergere Chatelaine." The intricate details of the image, from the folds of Montfort's coat to the expressive facial expressions of the characters, make it a valuable historical record of the opera production and the art of theatrical portraiture in the early 19th century. Overall, this handcoloured lithograph offers a captivating glimpse into the world of opera-comique and the remarkable career of Alexandre-Marie Lafeuillade as Montfort in "La Bergere Chatelaine." It is a must-have for any collection of opera history, theatrical art, or 19th-century French culture.

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