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Part of the London Wall in the churchyard of St. Giles
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Part of the London Wall in the churchyard of St. Giles
Part of the ancient London Wall in the churchyard of St. Giles, Cripplegate, London. Built in the third century, and repaired by London Mayor Ralph Joceline in 1477. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1792
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Media ID 23390716
© Florilegius
Antiquaries Antiquities Cartographer Chancel Churchyard Cripplegate Doublet Effigy Elizabethan Environs Folder Giles Historian Lace Member Ruff Sewell Simco Skull Speed Smith
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EDITORS COMMENTS
In this image, a portion of the ancient London Wall comes to light in the tranquil churchyard of St. Giles, Cripplegate. The London Wall, a testament to the city's rich history, was initially built in the third century to protect the Roman settlement from external threats. Fast forward to the late 15th century, when London Mayor Ralph Joceline undertook repairs on this historic structure. The photograph, a beautiful copperplate engraving by John Thomas Smith, is based on original drawings by members of the Society of Antiquaries. The meticulous details of the engraving reveal the intricate design of the wall, with its distinctive pattern of interlocking bricks. The wall's weathered surface, adorned with moss and ivy, adds to its allure. The churchyard itself is a charming scene, with the chancel of St. Giles in the background. The Elizabethan-era monument, with its ornate effigy, stands proudly amidst the greenery. The skull at the monument's base serves as a poignant reminder of the transience of life. The figures in the foreground, dressed in Elizabethan attire, add an intriguing element to the image. The man, with his ruff, doublet, and lace, holds a book, perhaps studying the history of the site. The woman, with her elaborate headdress and gown, looks on, her expression thoughtful. This image, a snapshot of history and architecture, invites us to delve deeper into the stories of London's past. The intricate details, from the textures of the wall to the folds of the clothing, transport us back in time. The engraving, a masterpiece by John Thomas Smith, is a testament to the Society of Antiquaries' dedication to preserving and documenting the history and heritage of London and its environs.
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