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Three Parisian graces, circa 1800
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Three Parisian graces, circa 1800
Three Parisian graces, circa 1800. Three unattractive maids wear the latest Paris fashions. Its certainly true that in fashion a servile herd of imitators abounds. Even the ugliest cannot wait to adopt fashions that suit others better. Handcoloured engraving from Pierre de la Mesangeres Le Bon Genre, Paris, 1817. Three Parisian graces, circa 1800. Three unattractive maids wear the latest Paris fashions. Its certainly true that in fashion a servile herd of imitators abounds. Even the ugliest cannot wait to adopt fashions that suit others better. Handcoloured engraving from Pierre de la Mesangeres Le Bon Genre, Paris, 1817
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Media ID 23194654
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Bonnet Genre Graces Lifestyle Mesangere Muslin Napoleonic Parisian Pierre Regency Satirical Shawl Three Trois
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EDITORS COMMENTS
Three Parisian Graces: A Satirical Take on Fashion Imitation in the Early 19th Century This intriguing handcoloured engraving, titled "Three Parisian Graces," was published in Pierre de la Mesangère's Le Bon Genre in Paris in 1817. The image presents a satirical commentary on the widespread imitation of fashion trends in Paris during the early 19th century. Three unattractive maids are depicted in the latest Parisian fashions, each wearing a different ensemble. The first maid wears a muslin dress with a shawl draped around her shoulders, while the second dons a high-waisted empire-line dress with a large bonnet adorned with flowers. The third maid is dressed in a simple yet elegant gown, complete with a fan in her hand. Despite their unattractiveness, the maids are eagerly adopting the latest fashion trends, reflecting the prevailing sentiment that even the ugliest individuals could not resist the allure of Parisian style. The caption accompanying the image underscores this point, stating that "a servile herd of imitators abounds," and that even the "ugliest cannot wait to adopt fashions that suit others better." This satirical image offers a glimpse into the fashion culture of the time, highlighting the importance of Paris as a fashion capital and the widespread desire to emulate its trends. The image is also a reminder of the role of satire in entertainment and lifestyle during the Napoleonic and Regency eras. Overall, "Three Parisian Graces" is an intriguing and humorous commentary on the fashion scene of the early 19th century.
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